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Le Bateau Ivre
Comme je descendais des Fleuves impassibles
Je ne me sentis plus guidé par les haleurs;
Des Peaux-Rouges criards les avaient pris pour cibles,
Les ayant cloués nus aux poteaux de couleurs.
(As I floated the impassible rivers
I no longer felt myself guided by the haulers;
The gaudy Redskins had taken them for targets,
And had nailed them naked to totem poles.)
Who is the author of this poem?
This is Arthur Rimbaud’s 1871 poem “Le Bateau Ivre” (“The Drunken Boat”). Comprising 25 alexandrine quatrains, the poem is one of Rimbaud’s best-known works and includes vivid sensory details narrated from the point of view of the boat itself.
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Le Bateau Ivre
Comme je descendais des Fleuves impassibles
Je ne me sentis plus guidé par les haleurs;
Des Peaux-Rouges criards les avaient pris pour cibles,
Les ayant cloués nus aux poteaux de couleurs.
(As I floated the impassible rivers
I no longer felt myself guided by the haulers;
The gaudy Redskins had taken them for targets,
And had nailed them naked to totem poles.)
What other work did the author of this poem write?
Les Illuminations (1886)is an unfinished series of prose poems by Rimbaud. Poèmes saturniens (1866), Sagesse (1880), Hombres (Hommes) (1891), and La bonne chanson (1870)are all works by Paul Verlaine.
Passage adapted from Arthur Rimbaud's "Le Bateau Ivre" ("The Drunken Boat") (1871)
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Le Bateau Ivre
Comme je descendais des Fleuves impassibles
Je ne me sentis plus guidé par les haleurs;
Des Peaux-Rouges criards les avaient pris pour cibles,
Les ayant cloués nus aux poteaux de couleurs.
(As I floated the impassible rivers
I no longer felt myself guided by the haulers;
The gaudy Redskins had taken them for targets,
And had nailed them naked to totem poles.)
What country was the author of this poem from?
Arthur Rimbaud was born in Charleville, France, in 1854, although he would later abandon poetry and move to Abyssinia to work. Rimbaud died in Marseilles in 1891.
Passage adapted from Arthur Rimbaud's "Le Bateau Ivre" ("The Drunken Boat") (1871)
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Le Bateau Ivre
Comme je descendais des Fleuves impassibles
Je ne me sentis plus guidé par les haleurs;
Des Peaux-Rouges criards les avaient pris pour cibles,
Les ayant cloués nus aux poteaux de couleurs.
(As I floated the impassible rivers
I no longer felt myself guided by the haulers;
The gaudy Redskins had taken them for targets,
And had nailed them naked to totem poles.)
Which of the following is a contemporary and confidant of this author?
All of the poets on this list are French, but not all lived at the same time as Rimbaud. Not only was Paul Verlaine a contemporary of Rimbaud’s, the French poet was also Rimbaud’s lover and partner for a brief, tumultuous period.
Passage adapted from Arthur Rimbaud's "Le Bateau Ivre" ("The Drunken Boat") (1871)
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His weary glance, from passing by the bars,
Has grown into a dazed and vacant stare;
It seems to him there are a thousand bars
And out beyond those bars the empty air.
The pad of his strong feet, that ceaseless sound
Of supple tread behind the iron bands,
Is like a dance of strength circling around,
While in the circle, stunned, a great will stands.
But there are times the pupils of his eyes
Dilate, the strong limbs stand alert, apart,
Tense with the flood of visions that arise
Only to sink and die within his heart.
Who is the author of this poem?
This is Rainer Maria Rilke’s poem “The Panther.”
Passage adapted from Rainer Maria Rilke’s Poems, transl. Jessie Lamont (1918)
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His weary glance, from passing by the bars,
Has grown into a dazed and vacant stare;
It seems to him there are a thousand bars
And out beyond those bars the empty air.
The pad of his strong feet, that ceaseless sound
Of supple tread behind the iron bands,
Is like a dance of strength circling around,
While in the circle, stunned, a great will stands.
But there are times the pupils of his eyes
Dilate, the strong limbs stand alert, apart,
Tense with the flood of visions that arise
Only to sink and die within his heart.
Besides German, which of the following languages did this author most frequently write in?
Rilke was known for his writings in not only German but also in French. More than 400 of his poems were originally written in his second language.
Passage adapted from Rainer Maria Rilke’s Poems, transl. Jessie Lamont (1918)
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His weary glance, from passing by the bars,
Has grown into a dazed and vacant stare;
It seems to him there are a thousand bars
And out beyond those bars the empty air.
The pad of his strong feet, that ceaseless sound
Of supple tread behind the iron bands,
Is like a dance of strength circling around,
While in the circle, stunned, a great will stands.
But there are times the pupils of his eyes
Dilate, the strong limbs stand alert, apart,
Tense with the flood of visions that arise
Only to sink and die within his heart.
What other work did the author of this poem write?
Letters to a Young Poet is a 1929 collection of letters that Rilke wrote to a young aspiring poet. The Sorrows of Young Werther (1774), Theory of Colours (1810), Roman Elegies (1795), and Wilhelm Meister’s Apprenticeship (1795) are by Johann Von Goethe.
Passage adapted from Rainer Maria Rilke’s Poems, transl. Jessie Lamont (1918)
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His weary glance, from passing by the bars,
Has grown into a dazed and vacant stare;
It seems to him there are a thousand bars
And out beyond those bars the empty air.
The pad of his strong feet, that ceaseless sound
Of supple tread behind the iron bands,
Is like a dance of strength circling around,
While in the circle, stunned, a great will stands.
But there are times the pupils of his eyes
Dilate, the strong limbs stand alert, apart,
Tense with the flood of visions that arise
Only to sink and die within his heart.
What country is this author from?
Rilke was born in Prague, Austria-Hungary, which is now a part of the Czech Republic.
Passage adapted from Rainer Maria Rilke’s Poems, transl. Jessie Lamont (1918)
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Mute sat Giray, with downcast eye,
As though some spell in sorrow bound him,
His slavish courtiers thronging nigh,
In sad expectance stood around him.
The lips of all had silence sealed,
Whilst, bent on him, each look observant,
Saw grief's deep trace and passion fervent
Upon his gloomy brow revealed.
Who is the author of this poem?
These are the opening lines of Alexander Puskin’s The Bakchesarian Fountain.
Passage adapted from Alexander Pushkin’s The Bakchesarian Fountain, transl. William D. Lewis (1849)
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Mute sat Giray, with downcast eye,
As though some spell in sorrow bound him,
His slavish courtiers thronging nigh,
In sad expectance stood around him.
The lips of all had silence sealed,
Whilst, bent on him, each look observant,
Saw grief's deep trace and passion fervent
Upon his gloomy brow revealed.
Which of the following is not another work by this poet?
Pushkin wrote Eugene Onegin (1925), Ruslan and Ludmila (1820), The Gypsies (1827), and Dubrovsky (1841). Egipetskaya marka (The Egyptian Stamp) is by Osip Mandelstam.
Passage adapted from Alexander Pushkin’s The Bakchesarian Fountain, transl. William D. Lewis (1849)
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Mute sat Giray, with downcast eye,
As though some spell in sorrow bound him,
His slavish courtiers thronging nigh,
In sad expectance stood around him.
The lips of all had silence sealed,
Whilst, bent on him, each look observant,
Saw grief's deep trace and passion fervent
Upon his gloomy brow revealed.
What country is the author of this poem from?
Alexander Pushkin was born in Moscow, Russia, in 1799 and died in St. Petersburg, Russia, in 1837.
Passage adapted from Alexander Pushkin’s The Bakchesarian Fountain, transl. William D. Lewis (1849)
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Mute sat Giray, with downcast eye,
As though some spell in sorrow bound him,
His slavish courtiers thronging nigh,
In sad expectance stood around him.
The lips of all had silence sealed,
Whilst, bent on him, each look observant,
Saw grief's deep trace and passion fervent
Upon his gloomy brow revealed.
Which of the following is not a genre that this author wrote in?
Pushkin was a multifaceted writer who wrote novels, short stories, dramas, and fairytales in addition to poems. He did not, however, write autobiographies.
Passage adapted from Alexander Pushkin’s The Bakchesarian Fountain, transl. William D. Lewis (1849)
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