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One of the gems of Tudor England, ____________ was the theater most commonly associated with William Shakespeare.
The Globe was a quintessential part of London during the time of William Shakespeare. It opened in 1599 and closed in 1642.
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Which of these authors is incorrectly matched with his most famous piece of literature?
All of these writers are correctly matched with their most famous piece of literature except for Thomas More, who is famous for writing Utopia. Lives of Illustrious Men was written by Petrarch, sometimes referred to as “the Father of Humanism.”
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The Odyssey of Homer comes from which classical culture?
The Odyssey and The Iliad are two famous epics written down from the oral tradition of Homer. The epic poems tell the tale of the Trojan War and the return home of Odysseus from this war. The were among the foundations of both archaic and classical panhellenism ("all Greece"). The peninsula of Greece was, at this time, not a nation-state (nation-states did not, strictly speaking, exist at this time in history), but a collection of city-states, united by a common language and by large-scale common cultural practices (The Olympic Games, Homer, the ritual recognition of the gods of Olympus). Greek city-states were yet still quite distinct culturally, socially, and politically when seen up-close.
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Charles Dickens was widely read by the masses in the nineteenth century thanks to all of the following EXCEPT __________.
Charles Dickens was by far the most well-known and widely read novelist of the Victorian period in Great Britain, to the point that he was a celebrity on par with any other figure of the time. His work was not just popular among the masses, but also largely about them, as his work featured intriguing characters, descriptions of familiar themes and people, the city of London, and a serialized format of each chapter being published separately in installments. One trend from previous writers that Dickens did not continue was a reliance on complicated classical references.
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Which of the following does NOT describe artistic developments during the Italian Renaissance?
The Renaissance represented a revival of Greco-Roman culture, and therefore its art began to reflect classical art and themes, including myths. Nevertheless, religious themes continued to be popular in art. During the Renaissance, the status of the artist increased greatly: individuals such as Michelangelo were widely revered for their artistic genius. Additionally, individual patrons more frequently began to commission art (most famously, the Medici family in Florence); the portrait became a more common genre; and even religious paintings often portrayed the patron and his family. Note that during the Renaissance, the human body began to be depicted in a more naturalistic manner, and was typically glorified. Consider, for example, Michelangelo’s David.
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Which of the following is a work in which Voltaire mocks religion and the established social and political institutions of the time period?
Voltaire was an Enlightenment-era philosopher most famous for his ardent defense of freedom of religion and freedom of speech. He clashed frequently with the authorities in France, but was widely influential across Europe. His most famous work, Candide, was published in 1759. It is a satirical attack on religion in Europe and mocks the established political order of the time period.
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In Michel de Montaigne’s Of Cannibals, which of the following is satirized by being compared to cannibalism?
Members of a French exploratory voyage to South America in the sixteenth century encountered cannibalistic people living in the Amazon, and a few of them were even brought back to Europe by the expedition. The group was widely sensationalized, but Montaigne’s first-hand experience led him to believe that these people were far less savage and barbaric than the European people around him. In Of Cannibals, he reverses the Eurocentric view of social progress and compares the lives of the cannibals with the barbaric conditions of European society to suggest that the Europeans were the real savages.
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Which of these institutions is primarily criticized in the magnum opus of Erasmus, In Praise of Folly?
In Praise of Folly was published the first decade of the sixteenth century by the Dutch humanist Erasmus. Although Erasmus remained an ardent Catholic his whole life and never fully embraced the Protestant Reformation, he was nonetheless dissatisfied with the corruption and abuses that he saw within the church. In Praise of Folly is a scathing attack on these corruptions. It is sometimes credited with helping to lay the foundations for the Protestant Reformation.
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Raphael’s The School of Athens is primarily __________.
Raphael’s The School of Athens is one of the most famous and influential artistic works of the Renaissance period. It depicts the classical Greek philosophers Socrates and Plato holding court at the school of Athens and is widely understood to be a celebration and exaltation of the values and accomplishments of the classical period, particularly ancient and classical Greece.
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The palace of Versailles is an example of a building built in which of these styles?
The Baroque movement emerged in popularity in the seventeenth century and was supported by both the Papacy and the European aristocracy. It employs exaggerated motion and dramatic detail to create a style of art meant to seem both impressive and imposing. It was widely employed by the aristocracy to create artistic and architectural works that were meant to express power and control. The Palace of Versailles is one such example.
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Charles Dickens’ writings were particularly influential during the __________ because they presented an evocative account of __________.
Charles Dickens is probably the most famous writer of the Victorian period of British history. His writings coincided with the Industrial Revolution and often focused on portraying social injustices and the arduous lives of the British working class. Famous works by Charles Dickens include Oliver Twist and Hard Times.
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All of these individuals were notable impressionists EXCEPT for __________.
Impressionism as an artistic movement emerged in the nineteenth century and was particularly influential in France. All of these individuals were notable impressionists, and Monet is often referred to as the original impressionist. Impressionism focuses on ordinary subject matter, and the use of light. It was initially widely criticized by artistic experts in French and European society for being unrealistic and crude, but it soon gained overwhelming popularity as it spread around the world.
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Joseph Conrad’s Heart of Darkness may best be understood as a criticism of __________.
Joseph Conrad’s Heart of Darkness was published in 1899 and is one of the most influential works in the English language. The book deals with European ideals of what constitutes barbarism and the right to call oneself “civilized” by exploring the harsh reality of European imperialism on the African continent. Conrad is sharply critical of the racial motivations behind European imperialism.
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In Persian Letters, the French philosopher Montesquieu __________.
Persian Letters was published in 1721 by the Enlightenment philosopher Charles de Montesquieu. It employs the perspective of two travellers from the Near East who are visiting France and observing French society. It critiques the nature of French society and Christianity.
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Which of these works of literature is most famous for outlining the supposed values of a Renaissance man?
The Book of the Courtier was published in 1528 by the Italian Renaissance writer Baldassare Castiglione. The book outlines the ideal qualities of a Renaissance man and was widely influential in European society. It was particularly influential in British society, where it came to define the correct behavior of a wealthy British gentleman.
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Which of the following is an artistic movement that can be understood partially as a backlash against the Rococo movement?
The Rococo artistic movement was widely popular in eighteenth century and is characterized by sentimentality and deviations from realism. The Neoclassical movement, which emerged in the late eighteenth century around the time of the French Revolution, is widely understood as a backlash against this movement. Neoclassicism focused on recreating the styles of classical Greece and Rome and valued realism and the accurate representation of the human form.
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The artistic movement known as Romanticism largely influenced the revolutions of 1848 through its emphasis on __________.
Romanticism flourished in the first half of the nineteenth century throughout Europe as a literary movement that reacted against the Englightenment, valued emotion, and lauded both medieval literature and regional identities. This last point was also a huge factor in the burgeoning nationalism of the era, which sought to overthrow traditional autocratic governments and replace them with democratically elected governments that were meant to more accurately reflect their constituencies.
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Miguel de Cervantes’ Don Quixote primarily satirized __________.
Don Quixote is the most famous work in the history of Spanish literature. It was written by Cervantes in the sixteenth century and is primarily a mockery of the culture that existed in Spain in Cervantes’ time period. Cervantes wanted to shine a light on the absurd glorification of chivalry and anachronistic reverence for medieval values. Cervantes' disdain, and muted, vexed respect for, chivalric cultural values can be found in the most lasting image of the work, and one of the most lasting images in all of literature, that of Don Quixote riding valiantly into battle against a windmill.
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Montesquieu's Persian Letters criticizes __________.
Montesquieu is usually remembered for writing The Spirit of Laws, which influenced the formation of the United States’ government with its advocation for separation of powers and its emphasis on the necessity of checks and balances in any legislative system. Montesquieu also wrote Persian Letters, a text of possibly equal importance, which marked the first time Europeans were given a substantive view of their society from the perspective of a foreigner (or, more accurately, the first time such a perspective was paid substantial attention). It introduced many Europeans to the notion that their perspective might be limited, that they had what is now called a Eurocentric view on the world.
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The Renaissance was considered by many as the rebirth of culture and technology after the fall of the Roman Empire. Which city and country is the Renaissance said to have started?
The majority of the Renaissance took place in Italy, as intellectuals from all over Europe flocked to booming cultural centers receiving vast amounts of wealth and support from patrons of the arts and sciences. Florence in particular had undergone a public revitalization of classical Greek studies that focused on poetry, mathematics, science, and art during the rule of the prominent and scholarly Medici family.
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