Identifying artists, works, or schools of fourteenth- through sixteenth-century sculpture - AP Art History

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Question

the following image is public domain, and can be found at https://en.wikipedia.org/wiki/David\_(Donatello)#/media/File:Florence\_-\_David\_by\_Donatello.jpg

The sculptor of this work is ___________.

Answer

This work is Donatello's David. It predates the Davids of both Michelangelo as well as Bernini. Donatello was known among his colleagues for his freestanding work, and had in fact created a freestanding marble version of David that predates even this one. That David, though, was not nude where this one clearly is.

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Question

the following image is public domain, and can be found at https://en.wikipedia.org/wiki/David\_(Donatello)#/media/File:Florence\_-\_David\_by\_Donatello.jpg

The subject of the work is ___________.

Answer

This sculpture is a depiction of David, the young man who defeated the Giant Goliath in the First Testament story of the bible. He can be identified by his youthful appearance (David was one of the only youths being depicted at the time, apart from the baby Jesus). He can also be identified through his pose, where he stands atop the severed head of the giant Goliath, as the victor in their battle.

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Question

the following image is public domain, and can be found at https://en.wikipedia.org/wiki/David\_(Donatello)#/media/File:Florence\_-\_David\_by\_Donatello.jpg

The medium of the work is __________.

Answer

As is traditional, Donatello's statue is made of bronze, after the practice of Classical Greece. Though marble is a more popular medium later (it is cheaper and its whiteness appealed to the Renaissance masters), the freestanding bronze works are a testament to the renewed interest in Classical works.

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Question

Which Early Renaissance Italian sculptor influenced later sculptors with his characteristic "figura serpentinata"forms?

Answer

Sculptures by Donatello (ca. 1386–1466) often feature a spiraling "figura serpentinata"composition style that entices the viewer to move around the piece to view it from every angle. Sculptors who came after him often used this technique, and it could be said that he introduced it.

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